
| 1994
- Warner Bros. |
"Whether
or not Tiger Bay is worth purchasing is a personal decision. Slipping
occasionally into indie pop, the album is actually more of a dance
and disco recording. If dance isnt your thing, dont buy
Tiger Bay." |
|
| 2004 - Universal |
"Bending
genders is only the half of it--they are a slick, enigmatic, theatrical
and energetic act that boasts a fine talent for both making and performing
oddly kitschy retro yet modern music." |
|
2006 - Universal |
"Bravo
to the New York band for once again putting together a highly agreeable
group of songs." |
|
| 1990
- Mercury |
"This
also proved to be the most successful album for the Scorpions. It
was also their last successful one as a result of the alterna-grunge
movement in the United States." |
|
| 1992
- Epic |
"The
Screaming Trees really do deserve better. They should have become
popular. I guess Lanegan just wasn't as photogenic as Kurt Cobain
or Eddie Vedder." |
|
|
1972/2005 - Capitol |
"Smokin’ O.P.’s
may not be one of Seger’s most impressive or entertaining
albums, but what it lacks have in quantity or originality is made
up for in energy." |
|
| 2001
- MCA |
"No
less fascinating the earlier releases, this album once again boasts
nicely arranged songs with intelligent lyrics. Vocalist, usual lyricist
and guitarist Wilson once again whips up a collection of twelve lovely
songs well worth the time, money and effort it takes to own and appreciate
any Semisonic album." |
|
| 1998
- MCA |
"We
all remember the band as having the bar-closing, end of the night
hit Closing Time. Alas, there is more to the band than
just one hit. So much more." |
|
| 1996
- MCA |
"The
band found that their traditional rock mixed with some electronic
elements and peppered with a keen sense of melody hit a nerve. Not
in a huge way, but certainly in an important way." |
|
| 1995 - Cherrydisc |
"Even
if their music wasn’t yet perfected and they didn’t have
much financial backing, the trio still somehow managed to piece together
a work that clued listeners into the kind of band they would one soon
become." |
|
| 1995
- Atlantic |
"American
Standard proves without a shadow of a doubt that rock and roll is
nothing without good lyrics." |
|
| 1997
- Atlantic |
"Oh yes, its hard to believe but 1997s Rock Crown
is bad
so bad that even a free copy of the album isnt enough
to make it worthwhile." |
|
|
1997 - TVT |
"I wouldn’t say
that Sevendust made the best impression with this first album but
it is a fair and not completely offensive release." |
|
|
1977 - EMI |
"Love them or hate
them, the Sex Pistols are a model for dozens upon dozens of angry
punk bands that followed. They were loud, unconventional, violent,
bizarre, and entertaining." |
|
|
2005 - Capitol |
"Suit Yourself is precisely
the album that Shelby Lynne needed to release. It showcases her
heart and songwriting with a distinctly personal touch. This is
an enjoyable and immediately relatable album that will likely fit
in most music collections." |
|
|
2005 - Cake |
"It’s an inspired
and completely enjoyable effort. They sound like they’re
having more fun than should be allowed and the good vibe translates
brilliantly across the ten-tracks of the hip and energetic self-titled
released. You’d be hard pressed to find a better, freer,
and more gratifying summer album this year." |
|
| 2001 - Sub
Pop |
"They're
indie, they're emotional, they're pop, and they are just plain cool.
The world seems better with The Shins in it." |
|
| 2002
- MCA |
"Am
I impressed by their attempts at entertaining the masses? Not in the
least. Instead I find myself nauseous from overly trite melodies and
unoriginal musical ideas." |
|
| 1995
- Epic |
"The
Australian fifteen year olds produced a clean and concise sound that
was something akin to grunge
only sleeker and more user-friendly
than the version overpowering airwaves just a few years earlier." |
|
| 1992 - A&M |
"...the
funny thing is that while their music is incredibly recognizable,
their name often goes forgotten. Should Simple Minds be lost in the
decade of spandex, neon, and bangles? Most definitely not." |
|
| 1958 - Capitol |
"I find
the songs to be comfortable and unchallenging. So while on some levels
Sinatra has stretched himself, these songs aren’t entirely unexpected
nor do they make me think outside of feeling excruciatingly sorry
for myself." |
|
| 2001
- Atlantic |
"It's
a retrospective of sorts highlighting sixteen hits, misses, unreleased
songs, remixes and live tracks. In all honesty, they could've narrowed
the album down even further. Some of the tracks really bite." |
|
| 1995 - Capitol |
"If you’re
looking to complete your hair metal “Greatest Hits” collection
then make this addition. If you’re looking for consistency,
intelligence, and individuality…well…let the (S)laughter
ensue." |
|
| 2002
- Kill Rock Stars |
"One
Beat never becomes stale or dry. From introductory thumping drum beats
of the title track to the southern rock guitar of Sympathy, this is
an important album to say the very least." |
|
2006 - Bar/None |
"I don't
think it is the most creative thing to ever have happened in music
but it also isn't the most derivative. The biggest compliment I
can pay this album is that it is listenable. Excellent? Naw. But
listenable." |
|
| 1996
- Murder |
"Sloan’s
third full-length album is a truly worthwhile listening experience—especially
to fans of melodic, passionate, earnest pop-rock." |
|
| 1996
- Virgin |
"As for
the five other songs contained on this 1996 EP most are far better
than the single. Ugly, The Boy and Cherry immediately follow 1979
in that order and are fortunately infinitely better." |
|
| 1995
- Virgin |
"As with
all singles, there is nothing essential about Bullet with Butterfly
Wings. Both included tracks are excellent, but unless you are seeking
to finish off your Smashing Pumpkins discography it is still best
advised to check out their albums rather than singles..." |
|
| 1993
- Virgin |
"...it’s
not at all a necessary recording." |
|
| 1991
- Virgin |
"Gish
is by no means a masterpiece but does shed some light on the pre Siamese
Dream Corgan and company." |
|
| 1995
- Virgin |
"...at
times the albums grandeur seems overwrought and exaggerated,
thus weighing down the intended message." |
|
| 1993 - Virgin |
"...album’s
sales did indeed mirror the quality of the material. This is a very
rare occurrence in modern music." |
|
| 1996 - Virgin |
"I am
both impressed and disappointed. There is clearly a reason why many
of the songs included were left off of albums. They just simply are
not as good as a general rule." |
|
| 1996 - Virgin |
"Tonight,
Tonight is not one of the best Smashing Pumpkins by a long shot. I
remember thinking the band had “sold out” when the single
was released. In the context of this haphazard little release I’m
no more impressed by the effort." |
|
| 1996 - Virgin |
"It’s
hard not to adore (sorry for the bad pun) a band able to so freely
rock out without ignoring melody and lyrics and vocals in favor of
grinding guitars." |
|
| 1998 - Dreamworks |
"On one level, XO is a pop album complete
with beautiful melodies and memorable arrangements. This is the
part of Smith that likely appeals to the widest audience. Though,
it takes very little effort to realize that the songs contained
here ooze a deep, profound sadness." |
|
| 1995
- Reprise |
"I
expected something more impressive than what I got. Its an average
album that in my opinion could have been shorter. A whole lot shorter." |
|
| 1997
- Virgin |
"The
album as a whole is one of the better of the trip-hop movement and
deserves a slot in any indie pop, electronica, or trip-hop collection." |
|
|
2004 - Universal |
"Having apparently been
creatively inspired by his semi-successful side project, Lightbody
and his three bandmates assembled twelve ballads marked by sparkly,
appealing, gentle, acoustically conscious, evocative pop." |
|
| 1999
- Matador |
"The
key to the musical success of Esselinks vision is that shes
obviously having a great deal of fun. Her lyrics flow easily from
her silky throat. The multiple records that back her at every tempo
while she sings surround her easily and beautifully." |
|
|
2001 - Matador |
"Esselink takes forgotten,
lackluster, and wholly regrettable music and turns it into something
new and wonderful with the help of her innovation and mixing board." |
|
|
2005 - Rhino |
"...the 20-track Retrospective
is a mixed bag that is as brilliant as it is flawed, as luminous
as it is dim." |
|
| 1988
- DGC |
"I
cant help but appreciate Sonic Youth for their ability to create
this kind of purposeful masterpiece. Few bands, with their many facets,
can successfully assemble this kind of tour de force." |
|
| 1992 - Columbia |
"It was
clear by the time it was released in 1992 that the formerly underground
Minneapolis band had all but ditched their rock root in favor of a
more pop slant. For better or for worse, this is what got Soul Asylum
noticed." |
|
| 1995
- Columbia |
"...
that they can't really make songs that sound different from one another." |
|
| 1998
- Slash |
"
Prepare to be shocked and enlightened. Prepare to be entertained and
to think intensely about the multi-layered tracks. Prepare to experience
something very unlike anything else youve ever heard." |
|
| 1996
- Slash |
"It's
a fun album with not much that's too profound. Just fun, an interesting,
and innovative." |
|
| 1994
- Warner Bros. |
"Soul
Coughing doesnt sacrifice their talent in favor of pleasing
the masses. The band is making music to please themselves, and in
doing so have pleased the masses." |
|
| 1994
- A&M |
"This
album went on to earn the band two (yes, two) Grammy awards. This
was quite an impressive accomplishment for a simple grunge
band." |
|
| 2003 - New
Line |
"...setting
the band apart from the other “the” bands also is the
fact that they clearly owe a lot to bubbly eighties new wave and dance.
But with the toning down of synths and addition of drums and guitars
The Sound creates their own sound and in turn their own niche market." |
|
| 1992
- Big Life |
"With
twelve songs, Hotwired is a perfect length. Just long enough to gain
the attention of listeners, but just short enough to not bore them
to elephant tears." |
|
| 1997
- Universal |
"Clearly
taking a hint from the Beatles not to mention Suede, Space is funky
and fantastic when they are at their best. At the worst, the band
is just, well, boring and contrived." |
|
| 1997
- Factory |
"The
band’s confidence shines through every track. They know what
they are doing, and they know that they are doing it well." |
|
| 1996
- Sire |
"Don't
expect rockin' guitars like those from American alternative in 1996.
Rather, expect more mellow, fun, and interesting music." |
|
| 1998
- Sire |
"The
band didn’t flop, their style didn’t change too drastically,
and their main goal didn’t morph into something completely unpalatable.
Spacehog tread water…and treading water is better than the majority
of second albums manage." |
|
| 2001
- Artemis |
"I can't
help but think that The Hogyssey is a misguided attempt at reclaiming
the band's early chart success." |
|
| 1991
- Epic |
"There
are songs that are infectious, groovy, and lyrically brilliant. Then
again, there are tracks that are repetitive and lack any real drive." |
|
|
1992 - Epic |
"Homebelly Groove helps
to solidify my general rule that live albums are unnecessary, money-grubbing
moves by bands that by and large don’t have the talent to
off this kind of album." |
|
| 2003 - Sanctuary |
"I expected
something glorious and round and whole but was instead rewarded with
nothing new and something that is all too often repetitive and dry." |
|
| 2000 - Arista |
"...an
excellently entertaining album—made particularly special by
the forays into various subgenres from ambient pop to space rock and
from psychedelia to dream pop." |
|
| 1994
- Work |
"Sponge
doesn’t pull any punches—this is rock n’ roll as
pure and concise as it could be in the mid part of the last decade.
With an organic but adventurous sound that is reminiscent of 70’s
rock, Wax Ecstatic should appeal to a variety of rock fans." |
|
| 1996 - Sony |
"There
is no question that Sponge popped up as a result of the alternative
movement, but fortunately they did have more going for them than just
fad. They are rock & rollers at heart." |
|
2005 - Idol |
"The
Man is definitely going to be well received by fans and is better
than average fare even if it is somewhat shoddily produced." |
|
| 1996
- Columbia |
"...too
repetitive, too cliche, and too darned boring. If you want to listen
to industrial, even the worst nine inch nails is better than this." |
|
| 2003 - Arts
& Crafts |
"Stars,
a product of Toronto, manage to add a bit of zing to the usually very
mellow and modest subgenre of chamber pop." |
|
| 1992
- Gee Street |
"While
the funky, fun romp of Connected might not be for all listeners, it
is an album that should not be ignored." |
|
| 2001 - Island |
"...a
fun, punchy, and completely enjoyable dance/trip-hop/alternative album...
" |
|
| 1996
- Elektra |
"The
thing that is most isolating about the album is Sadiers vocals
sung almost totally in French. At times and English word or two slips
in but unless you understand Francais, it seems that much of the lyrics
are gibberish. Gibberish, yes, but the album is emotional and intelligent." |
|
| 2001
- Elektra |
"I
at times am lost in its concept and bored by the lengthy compositions.
Though, I always find myself comforted by the extremely creative and
boundlessly innovative nature of Stereolab." |
|
| 2001 - V2 |
"J.E.E.P.
touches on a number of slightly varied influences. Certainly, the
straight ahead rock is still present, but so is a touch of alternative,
soul, blues, and pop (gasp!). And while I completely get the fact
that the Stereophonics are trying to be something different than the
vast majority of UK acts, their sound on J.E.E.P. is still pretty
mediocre and rather old-hat for Americans." |
|
| 1999 - V2 |
"The
songs and the band fit in nicely with the faceless, untalented glut
of post-grunge rock-take it or leave it." |
|
|
1978 - Capitol |
"If you buy just one
Steve Miller Band album, make it this one." |
|
|
2003 - Asthmatic Kitty |
"This is a magical album
that really pays homage to a state that has fallen on hard times,
but
that still perseveres. Sufjan Stevens captures the honesty, integrity,
and bits of trivia that make Michigan such a unique place to live." |
|
2004 - Sounds
Familyre |
"The
overall effect of the album is a cross between the aforementioned
alt-country singer-songwriter Jim White and the Scottish chamber
pop outfit Belle & Sebastian. For that reason alone, I think
that Sufjan Stevens wields a talent that will appeal to a very
wide variety of listeners." |
|
| 1995 - Silvertone |
"But
this incomplete compilation is a joke. I reiterate: their record
label
wanted to make money and to capitalize on the early success of the
band without spoiling the mood with the negatively received Second
Coming." |
|
| 1994
- Geffen Goldline |
"If
you see this on the rack at the CD store, pick it up and hide it over
in the New Age or Adult Contemporary section. Make sure no unsuspecting
music lovers get their paws on Second Coming." |
|
| 1992
- Atlantic |
"Dean
DeLeo's guitar work is undeniably interesting while Weiland's vocals
are grinding and pained." |
|
| 1999
- Atlantic |
"The
album is in actuality a return to the lightly metal-edged style best
explored earlier on Core. While I have a great deal of love and sentiment
attached to Core, Four lacks that close emotional attachment." |
|
| 1994
- Atlantic |
"This
album continues in the same vein as the aforementioned debut. In fact,
it is arguably the better of the first two albums." |
|
| 2001
- Atlantic |
"The
music is of course inspirational and wonderful, but the fact that
both STP and Atlantic Records are donating all profits to charity
is staggering." |
|
| 2001
- Atlantic |
"The
biggest problem with Shangri-La Dee Da is that it doesn’t change
anything from No. 4. STP was never content to rest on their laurels
in the past, but Shangri-La Dee Da does just that. It settles for
a formula that wasn’t even successful on the previous effort." |
|
| 1996
- Atlantic |
"It
yielded a few hits, but it was a blah album to many fairweather friends
and critics. Good album. Not great. Just good." |
|
| 2003 - Atlantic |
"Early
in their career they were accused of trying to be Pearl Jam. Of course,
in retrospect nothing could be further from the truth." |
|
| 1994
- Atlantic |
"The
band is unafraid to shake things up (when it suits them best) and
to make music that sounds very different than other bands yet remaining
appealing to most rock listeners." |
|
1969/2005
- Elektra/Rhino |
"The Stooges made music
so simple it was brilliant. The songs may not be deep or thoughtful,
but they definitely kick ass." |
|
2001 - RCA |
"If you're
going to write and include songs that clock in at about three minutes
they should be punchy and exciting." |
|
| 1993
- Nude |
"Suede
took the ideas previously explored by acts like Manchester’s
Stone Roses and The Smiths, tossed in a dash of David Bowie and expounded
brilliantly. There is no question as to why this disc was so perfect
and appealing from the start." |
|
| 1994
- Nude |
"It
speaks directly to a very dark and lonely place in my heart. Regardless
of how strange this album may seem on the first listen or two, it
imbeds itself in your head and in the end perfect." |
|
| 1999
- Nude |
"Perhaps
the most troubling of my many qualms is that the album is very, very
predictable." |
|
|
2005 - Rhino |
"Once again, Sugar Ray
is not necessarily my usual cup o’ tea but I can’t
deny certain truths including the fact that they have recorded
some incredibly catchy songs. Great? Naw. Perfect? No way. But
in the case of pop, neither is really that important." |
|
| 1988
- Elektra |
"It
digs deeply into the skin and leaves the heart dancing. The album
is on the whole impressive
discounting of course the fact that
Einar isnt much of a singer. Bjork is the star of this show.
All eyes
errr ears
are focused precisely where they should
beon unique and lively singer." |
|
2006 - Rhino |
"It
has flaws, there are very few extras and the sound sometimes leaves
something to be desired, but it is still highly entertaining and
rather inclusive. I personally enjoy getting an in-depth glimpse
of the unpredictable and vaguely insane woman who would come to
revolutionize the world of electronic music in the 1990s." |
|
| 2001 - XL
Recordings |
"Unfortunately,
what is overwhelmingly obvious is that while the tracks are lazy,
the band themselves thinks themselves more profound than necessary." |
|
| 1998
- Elektra |
"Even
if the bands debut was the most successful monetarily...their
second album Head Trip In Every Key to be the most musically perfect." |
|
| 1997 - Capitol/EMI |
"The
reason why America barely heard it had more to do with the fact that
there were no immediately obvious hit singles." |
|
| 2002 - Island |
"...the
album that Supergrass needed to make in order to solidify their importance
to British music." |
|
| 2000 - Island |
"I’m
not keen on the whole “releasing multiple discs for the same
song with slightly different track listings” thing. I realize
that in the UK it is common and a necessary evil, but it doesn’t
translate well here." |
|
| 2000
- Island |
"The
other two Supergrass LPs are definitely of a higher quality
than this one." |
|
|
2004 - BMG Heritage |
"It showcases a band’s
biggest hits and most popular songs—whether they are good
or bad, dated or timely. The fact that Ultimate Survivor portrays
the band with flaws is refreshing." |
|
| 1995
- Zoo |
"Sweet
is by no means a Bob Dylan, but he is a singer-songwriter in the purest
sense of the definition." |
|
| 1993
- Zoo |
"And
its not so bad you remember it out of hate, but not good enough
to remember it out of admiration." |
|
| 1997
- Zoo |
"As
a whole, its an okay outing, but lacks the intensity and vision
of some of Sweets earlier outings." |
|
| 1991
- Zoo |
"...the
tracks seamlessly drift into one another. Girlfriend is one of those
rare albums in which every track adds to an overall impression and
emotion." |
|
| 1999 - Volcano |
"The
songs should build on one another and the whole of the album should
equate to more than the sum of the parts. This is, of course, not
the case here." |